Postmodern Culture

Everything you want to know about postmodernism, postmodernity, and postmodern culture. Your guide to achieving postmodern literacy from The Notorious Dr. Rog and the class of ENG 335 at Rollins College.

Thursday, October 05, 2006

Bloggrokker (Scott) 10/03

DESERT OF THE REAL CRASHES INTO AMISH COMMUNITY, FEAR OF SIMULACRIC CRASHES SPREAD.
If there truly existed in the Postmodern Age a print circular addressing said Postmodern Age in its crucial terminology, or perhaps a cable news outlet or a dot.com newsmag doing the same, I like to think it might scream or blurt or offer clickable headlines kinda like this one.
If looked through the contact lens of postmodernity--and, for the record, I can't think of a more exacting metaphor for the sharper seeing of the fakery of the simulacric world than the contact lens, a synthetic copy of the ocular lens for the eye to keep the eye seeing sharply and in bright, beautiful Technicolor the reality/falsity of the mass-produced world--the horror of the recent Amish school executions--they weren't mere shootings like the cyclopean media likes to label 'em, they were executions, sad to say, far from the misguided realms of some desperate schmoe with a depleted pack o' Camels, a .38, and a 24-hour destination down the street--are Baudrillard's desert of the real crashing in on a community, a community experiencing a microcosmic 9/11, a community where the concept of this "desert" doesn't really apply.
As I see it, the Amish can't possibly conceptualize the desert of the real--they create a world for themselves free of the "precession of simulacra," free of mass-produced images and hyperreality; in effect, they never left the desert long enough to know it exists as a desert.
And still the desert erupted in their midst in the shape of a psycho-gunman--and the Big What If comes into play here.
What If elements of simulacric, mass-produced reality begin seeping into Amish communities based on simple self-preservation? It's not too difficult to imagine the gunman--whom I won't dignify with his name here; I don't want to contribute to any kind of accidental "celebritizing" of this sick bastard--targeting an Amish schoolhouse knowing they'd be free of cell-phones, and therefore free of interference from authorities.
Cell-phone tech in anti-tech communities--could this be some emergent po-mo strain? Cultural "do-doization?"
I don't know. I do know the FEAR OF SIMULACRIC CRASHES has already been justified. A copycat--read: simulacric--shooting took place in a school in a remote region of China within 24 hours of the Amish killings. Scary stuff--memetic bursts of the desert of the real, perhaps I'll call 'em "realbursts." are a forever rising media hook going back to the days of the Trenchcoat Mafia.
I also know I sat through a really terrible film the other day. This has nothing to do with the Amish tragedy. It's got a lot to do with Baudrillard, though.
Roll your eyes if you've seen it. X-Men 3: The Last Stand--all I'll say is there's a character in this disaster-spectacle-laden mess--and, oh, wouldn't Zizek find and endless cache of cultural po-mo ammo in this cinematic crud-bomb--whose special "mutant" power is the ability to replicate himself endlessly.
I had to laugh.
I did laugh.
I got strange looks.
I can't remember the character's name. It doesn't matter. I simply called him Baudrillardo.
After all, there's too many syllables in The Caped Simulacrum or The Xeroxed Avenger. Gotta be catchy, y'know.
Finally, thought I, a comic-book entity for our time.

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